Recorded in late 2012 and produced & mixed by James Murphy (DFA Records / LCD Soundsystem), it was initially given away as a present on Christmas Day 2012 to fans who attended Pulp’s Sheffield Arena show on December 8.Read More
Most bands hit the big time immediately and fade away, or they build a dedicated following and slowly climb their way to the top. Pulp didn’t follow either route. For the first 12 years of their existence, Pulp languished in near total obscurity, releasing a handful of albums and singles in the ’80s to barely any attention. At the turn of the decade, the group began to gain an audience, sparking a remarkable turn of events that made the band one of the most popular British groups of the ’90s. By the time Pulp became famous, the band had gone through numerous different incarnations and changes in style, covering nearly every indie rock touchstone from post-punk to dance. Pulp’s signature sound is a fusion of David Bowie and Roxy Music’s glam rock, disco, new wave, acid house, Europop, and British indie rock. The group’s cheap synthesizers and sweeping melodies reflect the lyrical obsessions of lead vocalist Jarvis Cocker, who alternates between sex and sharp, funny portraits of working class misfits. Out of second-hand pop, Pulp fashioned a distinctive, stylish sound that made camp into something grand and glamorous that retained a palpable sense of gritty reality.
Jarvis Cocker formed Pulp in 1978, when he was 15 years old. Originally called Arabicus Pulp, the first lineup consisted of schoolmates of Cocker. After a year, the band’s name was truncated to Pulp. While they were in school, Pulp performed a handful of gigs. The band recorded a demo sometime in 1980-1981, giving the tape to John Peel at one of his traveling shows. Peel liked the tape and invited the band to appear on his show. Pulp had their first Peel Session in November 1981. Instead of leading to record deals and pop stardom, Pulp’s appearance on Peel led nowhere. Discouraged by the band’s lack of success, every member but Cocker left the band in 1982 to go to university. The following year, Cocker assembled a new lineup which featured eight members, including keyboardist Simon Hinkler, who would later join the Mission. In this incarnation, Pulp had distinct folk overtones, as well as new wave underpinnings. The group landed their first record contract, releasing their debut album, It, in 1984. It didn’t make much of an impact and the band fell apart again. After the second incarnation of Pulp disintegrated, Jarvis Cocker formed another version of the band, with guitarist/violinist Russell Senior, who became Cocker’s first full-fledged collaborator. Cocker and Senior added drummer Magnus Doyle and bassist Peter Mansell to the group, as well as Tim Allcard, who did nothing but read poetry. Musically, Pulp backed away from the folky inclinations of It, adding keyboardist Candida Doyle in 1985, which led to a darker sound; shortly after her arrival, Allcard left the group. In 1985, Pulp released a series of singles on Fire Records. Just as their fortunes were looking up, Cocker became injured severely. As he was trying to impress a girl, he fell 30 feet out of a window, injuring his pelvis, foot, and wrist. For two months, he was confined to a wheelchair, but he performed concerts anyway.
Released in 1986, Pulp’s second album, Freaks, was a dense, dark affair. Following its release, the band split during the filming of the video for “They Suffocate at Night.” All of the members, except Cocker and Senior, left the group. For a year, the band was dormant, but Candida Doyle returned in 1987, with drummer Nick Banks and bassist Steven Havenhand joining shortly afterward. Havenhand was soon replaced by Anthony Genn, who was soon replaced by Steve Mackey. Although the group had a stable lineup, they weren’t gaining much of a following. In 1988, Cocker moved to London with Mackey and began studying filmmaking at St. Martin’s College. While he was studying, Pulp was offered the chance to record another album. The resulting album, Separations, was recorded in 1989 and reflected Cocker’s newfound obsession with acid house but it also boasted some full-fledged pop songs. Separations was released nearly three years after it was completed. Cocker was prepared to stake out a career in film when a single from the album, “My Legendary Girlfriend,” was released. NME named the song Single of the Week in 1991 and Pulp’s career suddenly took off.