Lord RAJA announces new album
Chester Raj Anand, who records as Lord RAJA, made a visit to a shop in Austin, TX, during SXSW, “While I was there,” he explains, “I went to that famous synth store, Switched On, and my mind was blown. They had everything– all these modular synths, a mellotron, Elektron synths. Just everything.” As he was surveying the goods, a plan began to form. “I asked the person who was working there, ‘ Would it be OK if I took my laptop and recorded some sounds?’ And I just started going crazy — plugging everything in, trying out different things, messing with drum machines, and recording all of it using RME Babyface. When I walked out, I felt like I had made off with the loot.”
Those sounds formed the basis for PARA, Raja’s second full-length and the first that fully captures his vision for his music. “This is probably my most successful attempt at making a consistent work,” he says. “I was really conscious about making a record that wouldn’t alienate people.”
Every song makes use of RAJA’ s Lexicon PCM 90 and an Eventide H3000 that he modified himself to get the effects he heard in his head. RAJA used these processors as instruments, creating customized reverb and textures to suit each song. In the background of the slowly-pooling into “Stars” is a sample of a man screaming in Hindi that RAJA recorded at a play in India with his iPhone. That same song opens with chords from RAJA’ s H3000-affected Yamaha YS 100 synth, making for a kind of orchestral commencement before the chaos that follows. On “Ride Out,” which he describes as “Bone Thugs-inspired,” he used a vocoder app to stretch and warp his voice. And “H3000” came by its otherworldly sound after RAJA took a song he recorded on his iPad and slowed it down using reel-to-reel tape. The final product feels cohesive and enveloping. “‘Inclusion’ was the theme of this record,” he explains. “Innovation can be done in a very disciplined and subtle way. Look at Prince’ s discography — the stuff he’s doing is still, to this day, immensely innovative, but you wouldn’t feel so challenged by it that you think, ‘I can only listen to this at a certain time.’ Too many people take the approach, ‘If you don’t get this, you’re not complex enough — you’ re not part of the future.’ I think people who talk like that are on the wrong side of history.”
“The title, PARA is an open-ended ‘For,'” RAJA explains. “It could be ‘For You,’ it could be ‘For’ something you’re doing. Ultimately, it’s for whatever you want it to be for.” PARA retains that flexibility and fluidity, while staying true to the person who made it. “I feel like I was very prepared to make this album,” RAJA says. “I wanted to include everyone, and say ‘This is my voice.'” On PARA, that voice comes through loud and clear.
Lord RAJA
PARA
(Adult Swim/Ghostly International)
1. Stars (Intro)
2. Zerulean
3. Butterfly On A Jet
4. Sheep
5. Broken Computer
6. Ride Out (Digital Bonus)
7. H3000
8. Stoked Tourist
9. Koi Fish
10. Renaissance Endo
11. Shook
12. Footwork
13. Flying Towards The Ground
14. Invst (Digital Bonus)
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